POPOL VUH
The children held a competition,
building snowmen. It was an all-day
affair, bundled munchkins with
red cheeks and furrowed brows
scampering from yard to yard like
little Giacometti gods at work on
the Art of Man. In the end, there
was no one to judge who won,
nor guidelines to rate the melting
men, and the children had to content
themselves on the joy of pure creation
WE’RE ADULTS NOW, RIGHT?
Sal texted me the other morning to talk about
David Foster Wallace and Peaches the pit bull
and let me know his boss was listening
to the Grateful Dead as he pulled into the parking lot,
though I believe what he really wanted me to know
is that he isn’t mad at me for my sudden inability
to attend his wedding in Dallas on Pi Day
after I was the only friend from New Jersey
who said Yes like Molly Bloom.
Which is a relief:
I wouldn’t want my last memory of Sal
to be bug-eyed in his underwear at 6am,
searching for his glasses on a table littered
with cans and roaches,
plastic cups, his beard sparkling with cocaine
as sallow dawn crooned over Atlantic City like vomit
and tugboats fixed underwater waste lines in a bay
full of bodies and condoms and tears of regret
and seagulls mocked Day’s realization
with a portentous cacophony that signaled
this is how it’s going to be from here on out,
adults at last.

G. R. Bilodeau is a peripatetic poet from the banks of the Ramapo River. Their work has appeared most recently, or is forthcoming, in As of Late, HASH Journal, SurVision, NINSHAR Arts, and Twin Pies, among other journals and anthologies.