• poems by Maestro Gamin

    i was able to make a mistake today and still walk back the person i was with all my blessings still accounted for in my back pocket. i was able to peel away an old angry thought that lied to me and turned on a power switch-off from a manual heart surplus fuse. my mechanics refused to buckle under some malware bug and over rid the auto pilot protocol. I breathed, and watched my skin come back thru an old bruise. my lips put their teeth away, and goodness found its home into my words again. beauty patted me on the back, asked where I been. I shrugged the heat off my shoulders, and flexed all my muscles at once 

    thru the friend I embraced, like promising to not let go even if I forget what it feels like when they aint there. I reflected until I made myself company, and reminded myself they sometimes won’t be. I nodded and said, im sorry that scared makes my pain loud and sad aint the words I wanna say sometimes. I reached for a cellphone and saw missed calls from people who left this place. they just called to leave me messages they were okay. just in case all my i love yous didnt get through, and last goodbyes got tangled up in old time like a grandfather clock. they say we aint left we just in a different spot 

    now with no coverage but all still on the same plan, no plane can ever erase who you are so dont worry about disappearing for awhile. youre holding us both in your brain and body. you breathe for all of us now, tomorrow you’ll live a thousand lives at the same time and we feel every hug, tear, and kiss like a cosmic text message. we feel alright here, you could never know. you still have work to do and we’ll watch laughing at how you outsmart em everytime woopin over hand daps and big noise like “see it! i toldjuu tho, i toldjuu he would. thats dave! thats our david henley. little brother grandson who cut scars into fast 

    feet running thru the screen door. theyre still trying to catch him, alright!.”

    our time isnt gone, dont avoid your face in the mirror just cause its a little wet. look at us. we aint left.

    remember.

    you have good friends in case you forget. 


    2morrow i’ll be on the road. i’ll be with myself for 5 hours singing songs like i’m trying to change my dna. staring at thirsty brush and brown hills. air conditioned cockpit juggling wifi satellites passing thru the middle of old town promises. bakersfield, merced, santa nella, are all names with stories and people’s lives and i’ll blow by it all like a burrito wrapper in the wind, over whats left of flattened and matted creatures in the sun, doing 85,  eyes darting and bouncing off side and rear views, gauging. beating the speed gun to the punch so I can tap break and relaunch into another lane coasting without pause. straight thru no stops except for gas next to the honey stand halfway in and the air.

    will be heavy with hot dust. people will be courteous and lost walking in and out of poisonous bathrooms like madmen returning to play a game of death. clutching a bag of chips and soda for the playlist or the voices on the radio. i like these drives. they recalibrate somehow. fix you in. prepare you for phone calls, for goodbyes, for absense, for reintroductions to loved ones youve known all your life, for sad news, and being someplace like youve never mattered more in your life. you rise, you show up, and you know this time was easier for someone because you did. and then you drive back to a place that is more home than home, but less painful to be anything you’d miss. 

    i miss home. maybe i keep going back cause i wonder what misses me. 

    Maestro Gamin, began developing his poetry sometime in 2009/2010 after attending Vibrations writer’s group. He soon began attending open mics across the southern los angeles and downtown areas, such as Lost Souls Cafe,The Monday Speakeasy, World Stage, DPL, Natural High (flight school), Our Mic, and Freedom of Speech Thursdays.

  • To the men who killed my sister by Lyz Mancini

    she leaned through open car windows
    for cigarettes in her pre-teen low-rise denim cut-offs
    willowy from ritalin 
    she said yes to the things I was afraid of
    bonfire invitations and cans of warm beer and cloudy liquid sucked up 
    through a needle on a cloud of cotton
    well that escalated quickly
    something in you knew from a young age
    you could get whatever you wanted from a girl
    if you just picked the right one
    an evil entrepreneurialism 
    i was envious at first
    simplified it to mean I was less pretty
    the truth was you could just smell the disease I didn’t inherit
    and decided you could own her
    before you blame our Dad, he was a good one
    and you’re an unoriginal asshole
    that’s why it never made sense
    why she felt she deserved a violent life
    it began by boys my age asking me when she turned 18
    like an Olsen twin countdown calendar
    fast forward twelve years and her body is a broken home
    i’ve seen the smashed eye socket she swore was a mugging
    felt the ridges from the razorblade scars
    heard stories told slack-jawed and casually about shampoo
    poured into dilated pupils
    things I couldn’t stop because she 
    needed needed needed
    fix fix fix
    it’s the deadening of her eyes when I ask if she’s okay 
    the locked bathroom doors
    the time she flung herself from a moving car and the scratches didn’t compare
    when she sold Mom’s Christmas CD collection 
    when you tried to hug us, act nice, but we knew
    how do i share her darkness, my darkness with other people
    holding back a Jerry Springer reference to break the tension

    to minimize the blood, the tears, the CPS calls
    she deserves more
    you deserve less
    so much less
    you keep her stunted 
    like when she leaned through those windows
    the smell of burnt hair from a bronzer-stained straightener
    scorched skin from tanning beds 
    stuck in amber of the early ‘00s
    decade-old Juicy pants deemed cool again
    Red Bulls at 10am
    sticky drugstore body sprays 
    the track marks tracking years like a tree 
    the way you find her on back pages and sides of highways and at gas stations in her flip flops 
    send me messages about how bad she’s doing as if
    you didn’t boil the water
    you like her like this 
    prefer her like this 
    childlike with an issue with authority
    loosies gripped between looser lips
    telling me she hates me and
    she loves you 
    there are just so many of you
    dealers and men with records, sure
    but the saviors with the beer bellies and 401Ks are the worst
    eyes raking up her malnourished body in used car lots
    your absolutely drenched liver makes you feel edgy
    promising a bed, if…
    a job if…
    you certainly aren’t reminding her to eat
    play the victim when she’s court-ordered to leave you
    then pick her up from Day 2 of detox like a damn superhero 
    a hatchet in our plan to save her 
    when our mom will only give her a ride if it’s to rehab
    like all twelve steps tell us to do
    like Intervention tells us to do
    never Google how many of those people are still alive, by the way

    we’ve done everything
    said everything
    tried everything
    then you slip in to make things easy
    then so so hard
    the email she sent that said 
    I need everything to be perfect to look at it
    but maybe to me perfect just means okay 
    some of you have met well-timed ends
    i grin about it closed rooms as to not appear to be a 
    bad person
    but some people deserve to die
    overdose in hallway
    car accident that left you paralyzed
    overdose in hot tub
    overdose in room of rented furniture
    stabbed to death in the middle of the day
    maybe there is a God
    maybe someday I’ll be the one to hunt you down
    how do middle class white girls commit murder 
    when it’s not against their cheating middle management husbands?
    Facebook Marketplace?
    I thought maybe she’d someday win
    live
    stay sober
    stay away from all of you
    but with tinsel and snow
    came her last breath
    another one of you left her alone
    in a dark room
    so now I’ll just stare with honeyed
    concrete eyes
    saying I know you
    I see you
    for what you are
    and what she didn’t get the chance to be.


    Lyz Mancini is a writer living in Catskill, NY. She is a beauty copywriter for brands like MAC Cosmetics and Clinique, and her writing has appeared in Slate, Catapult, HerStry, Shortwave Magazine, Huffington Post, Roi Faineant Press, and more. She is a Pitch Wars 2020 and Tin House Winter Workshop 2022 alum and was nominated for a 2022 Pushcart Prize. Diet Dr. Pepper runs through her veins. 

  • the hungry ghost by Robert Dean

    Sitting in front of a bowl of steaming ramen, I’d never felt more alone. While the workers in the kitchen moved back and forth in an orchestrated symphony, the dining room was empty, except for me. I subconsciously picked the middle seat against the wall. The light from the street punched through the shaded glass, highlighting me and displaying how lonesome I was. Every slurp was accented by no other small noises; every chew was a small bomb for one – me. 

    Pulling the noodles from their spicy orange broth, the chashu pork floated past. There was no one to tell how perfect the ajitama egg was, that this pepper-infused elixir was giving me a second chance at life after a long night swallowing poison due to my girlfriend and I calling it quits. But one of us not wanting to call it quits. (me.)

    I’ve gotten used to being alone but losing your significant other; your best friend, stings worse than losing a kiss when the lights are out. There is a fundamental difference between losing a girlfriend and losing your Best Friend. These two things are not the same. You can love someone, but it requires different skills to like them as a person and to see your best self as a byproduct of their influence. Laughter sounds different when you miss the timbre of a specific set of pipes, just as a meal feels sad when all you want to do is talk about how great it is with the ghost in your heart. I often wonder if somewhere deep within my subconscious if I’d made a deal with the proverbial devil, or through my life experiences within karma, I’m paying for something I did in a past life. Darkness and me, we’re old pals. I love the night when everyone is asleep, when the cars drive just a little faster, hoping a cop doesn’t see them. I live for sad songs and can relate to a lonesome cowboy, a sunny day with the windows down just ain’t my jam. 

    There is communion in eating alone. The world is consistently busy, and I have no problem throwing on my AirPods or breaking open a book while I wait for someone to bring me my fish tacos on any other day, but for this moment, my heartbreak was perceptible with every lazy noodle hanging from the chopsticks. I’ve lost girlfriends before. I lost a wife. Losing this one felt like a stab wound that someone kept ladling that fiery concoction into, making me relive the ache with the smallest reminders like an inside joke, a good meme, or a song that absolutely crushes me through her memory. Rooms are quieter without her presence, and the aisles of the grocery store can haunt you because it’s a hard habit to break when you’re looking at the drinks she likes in that special healthy section, knowing that her painted fingernails potentially slid across those bottles as she made a choice of which one to pick, as she did me, if only for just a little while. 

    Those intrusive thoughts are what can break a person. 

    I’ve gotten good at that place of quiet introspection, where heartbreak lives and my place in the world, trying to grab a moment like a fistful of sand. I expect more as I get older, but what does the world give you? Probably less. I dropped the chopsticks into an empty bowl, grabbed my bag, and headed for the door. Another ghost of influence following me, unlike the one in my heart, this one reminds me of the mistakes that lead to a lonely meal.

    I collect ghosts. In Buddhism and throughout Asian culture, there’s something called The Hungry Ghost – the eternal specter constantly searching for satiation, that for all their sins while alive, they’re doomed to constantly seek nourishment, to seek food, drink, lust, whatever their spiritual crimes on earth were, they will search into the afterlife for these moments, still. 

    The ghost of my girlfriend is omnipresent. There’s sad and sitting in an empty pool hall crying over a Lone Star sad. The pool hall was massive, and no one was breaking balls, no one was pool sharking, there was just a lone bartender washing her bottles, pretending I wasn’t there as I wiped the tears out of my eyes, begging through text messages to talk in person. The loss of love hurts, especially when that person’s name lives in your bone marrow. I’ve been drinking a lot because I can’t cope with the silence of my phone not going off, excited to chat about nothing or to tell her that she was the love of my life for the fifteenth time that day. Instead, I’m cursed with silence, and she probably even blocked my number, tired of hearing me beg for her time. The past surrounds me. Our mistakes can engulf us, but with the right hands, problems can be fixed with a little super glue and love, maybe some sage since we’re talking about the specters of the dead. 

    Dating is hard. Love is hard. There’s an agreement that there are no secrets, but there always are and sometimes, there is no forgiving for sins of the past. You can open the internal casket and give someone your secrets and as painful as they are to let them out from your skeleton, it’s not up to you how that person processes the information. I gave her all of mine. 

    Out there in the world, there is unknown and beautiful; there is what we lose in ourselves with every mistake. I’ve made plenty of mistakes, but losing the one person you love the most in the world feels worse with every swallow of Jameson or every Benadryl I pop so I can sleep away the pain radiating inside. I can scribble away her memory, and I can’t black out every day for the rest of my life; I have to simply accept my failure as mine. I loved so hard that when she entered the room my body was engulfed in flames. That when she whispered in my ear, that’s the closest to what I think a snake charmer feels in a revival tent. The loss hasn’t gotten easier, if anything the mourning has gotten worse. I wanted to marry her but now have to settle for photos on my phone. Hard luck lives. 

    Times are tough right now. I don’t want to keep anything as a road map of my life. There is a tomorrow as I don’t want to experience it many times. I carry her ghost with me. There will be other bowls of ramen. There will be silent moments of her memory. I’ll probably see her out two-stepping with some other man, knowing that my poor choices led to her whispering into someone else’s ear that it’s time to get a drink at the bar and I’ll be silently humming The Dixie Chicks, “tonight, the heartache is on me.” Her ghost will be next to me, never letting me forget she’s forever in my bones.

    Robert Dean is a working class writer, raconteur, and enlightened dumbass. You can read his work in places like Austin American-Statesman, MIC, Fatherly, and Consequence of Sound. His first collection of poems, Snakes in the Garden is dropping this fall from Madness Heart Press.

  • Poetry by Stephanie L. Harper


    CHILD’S POSE

    Inhale the distillate of night, 

    its sock-fuzz, cat dander & dust mites

    among the carpet fibers 

    & exhale the walrus, the whale, 

    the giraffe & the three pterodactyls 

    exiting 

    through the door in your back.

    Inhale the spores newly moldered 

    during this afternoon’s warmth 

    now re-icing in the needles 

    beneath the Eastern White Pine 

    outside the media-room window 

    in a shaft of moonlight; 

    exhale the alligator 

    from the swamp in the Muppet Movie  

    stalking Dom DeLuise who’s bantering

    with Kermit about making millions 

    of people happy in Hollywood 

    before exiting  

    through the door in your back.

    Inhale the essence

    of your husband’s baking Irish soda bread  

    & exhale Kermit plunking his banjo, 

    exhale his song about rainbows, 

    the rusty Schwinn he rides to the El Sleezo, 

    that giant pair of cartoon frog’s legs erected on the roadside, 

    yes, exhale, exhale with your most diligent eight-count 

    the freshly steamrolled pavement’s glisten 

    exiting now 

    through the flung-wide door in the small of your back.

    Then, with the final, heavy-lidded inhalation that comes

    just after your rump finds that further millimeter of declivity 

    no one had imagined,

    take in affectatious Miss Piggy 

    winning the county fair beauty contest, 

    stealing the heart of a certain amphibian 

    & being flippant in French under a broad, starry, desert sky, 

    along with everything else that’s trying 

    to enter 

    through the door in your back—    


    INDIGO BUNTING

    innermost     & most    

    neophyte-like     are these       

    discords 

    i still

    grieve—          & yet     this  

    opalescence dawning    

    blue—   

    unbridled wings           

    nasturtium-blooms     &

    topaz skies— 

    is my Indiana  

    never nigher to   

    grace        


    GATEWAY

    they keep it a secret

    to stop you 

    but when you find it 

    you’ll step through… 

    one      taste

    in this far-away place of

    flourless chocolate cake

    of no more bran clusters or 

    Brussel’s sprouts shoulding you 

    no more stale crusts demanding 

    who do you think you are?

    now     you’ll be forever

    enraptured by the devil’s food

    in the universe of YOU:

    oh yes!     all of you!     

    your sweeps & furrows!     

    your savors unfurled 

    to his reverent tongue

    his warmth ushering you

    quiver by undulant quiver 

    into the deep-delicious

    coalescence that is 

    The     Chocolate     Cake 

    of a woman     unbound 

    marveling                    how?

    how is it that I’m not yet full? 

    how is it that I’m still alive?    


    (CENTO) ON THE WAY BACK TO DREAMING

    It so happens I am sick of managing 

    as thin light on water, radiating 

    green with my eyes, my shoes, my 

    rage, only the right number of legs, 

    scowling, holding the world 

    of dew, forgetting everything meant 

    to wake you: the flash of a hand, 

    streak of movement, rustle of pebbles…  

    The trees tell of the sun and yet 

    I quail, lean to beginnings, sheath-wet,

    feel the small song in my chest swell.

    The rain proclaims these trees, 

    leaves tracks full of warm blood leading 

    toward the night.  


    Credits: Pablo Neruda, Linda Gregg, Diane Seuss, Stanley Plumly, Issa Kobayashi, Czeslaw Milosz, Theodore Roethke, Ross Gay


    Stephanie L. Harper grew up in Northern California; attended college in Iowa and Germany (BA in English and German from Grinnell College); completed graduate studies and gave birth to her first child in Wisconsin (MA in German literature from University of Wisconsin – Madison); homeschooled and raised her extraordinary son and daughter to adulthood in Oregon; and now lives in Indianapolis, IN — with the world’s most adorable husband and cat, no less — where she completed her MFA in Poetry at Butler University. Her poems appear or are forthcoming in the Red Wheelbarrow Literary Magazine, Neologism Poetry, Whale Road Review, Tipton Poetry Journal, Vox Populi, The Night Heron Barks, Foothill Journal, and elsewhere.

  • Mom Dress by Matty Heimgartner

    During my pre-school years, my brother and I shared the spare bedroom in our paternal grandparents’ home as our parents fought in court for custody. Being the devoted Lutherans that they were, my grandparents sent me to a Lutheran pre-school down the street from their house. During that time, my favorite playtime activity was role-playing characters in the life-size dollhouse. I was a shy child who stood alongside my classmates but did most of the role-playing in my head. While the other girls dressed up in the donated clothes from the cedar chest and gave themselves pretend names and roles to play, I quietly occupied as little space as possible while still being in the dollhouse. In my imagination, I was always the mom. Living with our paternal grandparents, we saw our father on occasion—despite the court ordering against it. But, for a while, I didn’t have a mother.

    While I was secretly the mom, Danielle, one of the meanest girls in the class, always called first dibs on the long cobalt blue summer dress with a motif of tiny faded red flowers. The Mom Dress. Danielle had a very different idea of what a mother would be like because she bossed all the other girls around, even the ones who weren’t her children. The Mom Dress gave her power and she abused the power to stay in command.

                One day, as the teachers freed us for playtime, Danielle decided to go outside to the playground instead of bossing around all the girls in the dollhouse. I watched all the other girls grab their outfits from the cedar chest, praying that no one would claim the Mom Dress. Once the girls were all happy with their roles, I grabbed the dress and pulled it over my head. I buttoned the collar as I felt the power start to take over me. I glided to the kitchen and began piecing together plastic recipes for a dinner that I wanted to cook for everyone in the dollhouse. A few of the girls laughed that Matty was wearing a dress. I laughed with them. But I had never felt as beautiful as I did while wearing the Mom Dress.

    Once dinner was cooked, I told all the girls to take a seat at the tiny table and I began serving their plates. During our dinner, Danielle stormed in from the playground and demanded that I give her the Mom Dress. Afraid of Danielle, but more afraid to lose the dress, I began to cry. I told her that I wanted to be the mom that day, just for once. She said no, she was the mom. She threatened to tell the teacher, and I froze. I sat at the kitchen table with tears falling onto my dinner plate, unable to express how badly I wanted to the dress. All the other girls stopped their conversations to see what would happen next. Danielle ran to the teachers, braided pigtails swinging side to side, and told them that I was wearing her dress and pretending to be the mom.

                “Matty,” one teacher said as she approached the doll house, “that dress is for the girls. You need to take that off and give it to Danielle.”

                Danielle stood beside her, with a grin sent directly from the devil himself, hand stretched, awaiting the Mom Dress. I unbuttoned the collar, unable to stop the tears from running down my cheeks. The teacher just stood there and watched as I pulled the dress over my head and handed it to Danielle.

                “Thank you Matty,” the teacher said, “now go play on the playground with the other boys.” I ran to the playground, but I didn’t play with the other boys. I sat in the shadow below the curved slide and hugged my knees as my body shook with silent whimpers.

                The next day, Danielle went outside for playtime again. The Mom Dress was unclaimed, so I took it upon myself to pull it over my head and make dinner for the other girls again. Like déjà vu, Danielle stormed into the dollhouse when she was done outside and demanded the Mom Dress. I said no. She told the teacher.

                “Matty,” the teacher said firmly as she towered over our dinner table, “I told you yesterday that you cannot wear that dress. This is for girls and you are a boy. Take it off.”

                I stood up from the dinner table with my head hung in shame as all the other girls stared in silence. I unbuttoned the collar and pulled the dress over my head before handing it to Danielle again. This time I was unable to look at her devilish smile.

                “You need to come with me to the time out corner,” my teacher said.

                I kept my head down to hide my tears as I followed her off the carpet, across the cold tiled floor, to a metal chair. The teacher sat far behind me and finished her lunch. Beside the time out chair was a large container of uncooked beans for children to stick their hands into when they weren’t being used for arts and crafts. Despite being in timeout, I played in the raw beans. The teacher was busy watching other students as she ate her lunch. After pushing my hands in and letting the cold beans rub against my bare arms, I found a toy buried deep inside the pile. It was a plastic water toy of The Muppet’s character, Miss Piggy. She was wearing a purple bathing suit with matching purple sunglasses and heels while reclining on a purple floaty bed. The Muppets was my favorite movie from the VHS drawer because I loved Miss Piggy. My actual favorites, the tapes with female leads—The Little MermaidSleeping BeautySnow White, etc.—were locked in my Grandma’s closet and only allowed to be watched on special occasion, like a birthday or a holiday.

                I was careful to keep Miss Piggy buried deep enough in the raw beans that the teacher couldn’t see what I was playing with if she happened to look over. I didn’t care anymore that I was in timeout because I had Miss Piggy and my imagination. I pushed her and her floaty through the raw beans, imaging it was the wide-open ocean. I made up a story about how she fell of the cruise ship while vacationing with Kermit and the other Muppets.

                After class, my teacher asked my grandparents to stay for a conference about my absurd behavior. Two teachers, Grandma, Grandpa, and I sat in a circle and the teachers explained that they caught me wearing a dress and pretending to be a mom two days in a row. They told my grandparents that because I deliberately disobeyed them, and that I was put in timeout. My grandparents were embarrassed and ashamed, and they lectured me in front of the teachers, making me promise that I would not play with the girls anymore.

                When the teachers announced playtime the next day, Danielle ran straight for the Mom Dress and she made sure to catch my eye contact to stick her tongue out as she pulled the dress over her head. Instead of joining the other girls, I walked across the room to the raw beans and dug around for Miss Piggy. I covered the diva with both hands as I hurried out the back door and ran onto the tanbark ground. I sat in the shadow of the curved slide and lifted Miss Piggy to the sky. I tuned out the preschool and escaped to the open sea with my friend, Miss Piggy.


    Matty Heimgartner is a California artist and writer whose surreal paintings and personal essays tend toward the introspective and reflective. Heimgartner often participates in art shows around the San Francisco Bay Area, and their art has been featured in the magazines CreativPaperBeyond WordsContent, and Artist Portfolio. Their nonfiction appears in Reed MagazineThanks HunThe Romp, and Beyond Queer Words. Matty holds a BA in art and is currently earning an MFA in creative writing. MattyHeimgartner.com / IG: @fabulousmatty / Twitter: @fabulousmatty_

  • I AM DOING SOMETHING by John Grey

    If I look hard enough,
    I’m sure to find something.
    Even if it’s not peace.
    Even if it’s just an old love letter
    long buried at the bottom of a trunk.
    And if I feel hard enough,
    then feelings will get their due.
    It could be rain on my face.
    Or wind buffeting my hair.
    Try taste
    and the singular may not come my way.
    But there’s comfort in the familiar.
    And the journeys that go nowhere
    always end up someplace.
    I can kick a pebble or a habit.
    I can run and errand or a mile.
    Life is unexciting most times.
    But it’s better if I participate.


    John Grey is an Australian poet, US resident, recently published in Sheepshead Review, Stand, Poetry Salzburg Review and Hollins Critic. Latest books, “Covert” “Memory Outside The Head” and “Guest Of Myself” are available through Amazon. Work upcoming in Ellipsis, Blueline and International Poetry Review.

  • Poetry by Robert Okaji

    While You Slept

    While you slept in that distant room,

    I drifted through gauze and warm tides

    into the shallows, comforted,

    as you battered ice floes all night 

    before waking, finally, in angry half-light

    to sparrow chatter, knowing

    that tomorrow would bring more

    bitter hours, more cold coffee 

    served with theories 

    enmeshed in self-appeasement

    and the pride of always being right,

    even when you’re not.


    Surrounded by Myself I Remain 

    This body tempers itself in coughing fits

    and lust, in nose-blowing and the itch

    to caress soft flesh. Water gurgles down 

    the gutters. Our cat sits at the window 

    watching the rain, fascinated. I can’t 

    differentiate the pressures in my chest — 

    which urgent tide requires suppression, 

    what demands release — and though 

    my eyelids keep sliding shut, something 

    stronger pries them back open. How 

    to explain this state? I will never be young

    again. Gravity tugs heavier. Drugs

    misbehave. Joints and muscles ache

    in perpetuity, reminding me of life  

    and choices made badly through inertia 

    and fear. But love prospers in the idea,

    the knowing, and when I open my hand

    on your warm back seasons flow past,

    savory bits and icy nodules alike, and 

    I answer the call for more. Always 

    more, nose and cheek pressed against 

    your hair, my voice lost in you, with you.


    Robert Okaji is a half-Japanese Texan poet living in Indiana. His work has appeared or is forthcoming in Evergreen Review, Vox Populi, Threepenny Review, One Art and elsewhere. 

  • Poetry by Leah Mueller


    Creature Feature #2

    Eating popcorn in front

    of a black-and-white television,

    my fingers drenched in

    melted butter and iodized salt. 

    The Bride of Dracula 

    has made her fatal mistake, 

    while Frankenstein’s monster

    only wants acceptance

    from a crowd intent

    on his eradication. 

    Next week, the Mummy 

    will lumber across my screen, 

    mindless as a drugged cow,

    and I can stay up as late as I want,

    at least until the test pattern

    emerges. I watch everything,

    the late-late news, the grand finale:

    a rendition of the Lord’s Prayer

    in sign language. Turning off

    the television feels like saying goodbye

    to an old friend I’m not sure

    I will ever see again–or if I do,

    one of us may have changed

    into a creature no one can recognize.

    I am already different: 

    my bathroom mirror shows a face 

    that has lived through 

    multiple bouts of terror,

    and I haven’t even begun.


    The Other Side of the Bridge

    When both of my husbands

    were alive, we spent

    Thanksgiving together,

    our feast culminating with 

    an extended walk across

    the Tacoma Narrows bridge.

    The two of them paused

    beside an iron railing

    so I could take photos: 

    a sort of black-and-white 

    study in contrasts, but

    captured in technicolor.

    My ex had yellow teeth 

    and cheeks that hung

    like a gaunt bulldog’s.

    He smoked a cigarette 

    every fifteen minutes—

    frail shoulders 

    slumped in the rain,

    frantic mouth devouring 

    smoke, like it was candy.  

    My husband perched beside him, 

    happy for sailboats

    that passed beneath our feet,

    and a sunbreak that seemed

    to come out of nowhere. 

    No one knew both men

    were marked—my ex-husband 

    would be dead 

    in less than a year, 

    my current one in three.

    And I, the photographer, 

    doomed to continue the trek

    across the span, alone.

    I’m glad no one can predict

    the future, or there would 

    be no point in going on:

    still, I trudge ahead 

    anyway, half-believing

    I know what awaits me 

    on the other side of the bridge.


    Weird Kid

    The bartender in 

    my grandmother’s basement

    mixed a mean martini.

    He stood in the darkness

    of her rec room bar, 

    pudgy face frozen 

    in a grimace, metal

    shaker in one hand,

    glass stem in the other.

    When you flipped 

    his “on” switch,

    the bartender came to life—

    calmly pouring a jigger

    of invisible booze into

    his glass, then sampling it

    for quality. Instantly, his 

    face turned crimson. 

    His white, worm-like mustache

    curled and wrinkled

    as he spat into midair, then

    repeated the same process

    over and over and over.

    I stared at his puckered lips,

    transfixed. Something about

    the spectacle thrilled me 

    despite myself. I prayed my

    grandmother wouldn’t catch me,

    and she never did. 

    It would have been

    hard for me to explain that

    I had a crush on an alcoholic toy.


    professional gastropod

    the slug won 

    the half-marathon

    by a hair’s breadth. 

    his muscles pumped

    like pistons, as

    he escaped each

    hoe and boot heel.

    nearing the finish line

    amidst a cacophony

    of cheering, he slid

    the final mile on a 

    trail of his own slime,

    finally landing

    on a large, fully ripe

    tomato. everyone

    loves a winner, but

    the slug is smart enough

    to remain modest.

    and the best part

    is that he gets 

    to do it all again, 

    tomorrow.


    Dream of an Ex-Friend

    Your face beneath my eyelids,

    contorted. I try to remember

    your words: sideways mouth,

    rage erupting in whirlpools.

    In the morning, all that remains

    are your eyes and an empty coffeepot.

    Familiar sizzle: hiss of water,

    steady drip towards wakefulness.

    I wonder where you are now,

    two time zones ahead, stirring

    in your own small bed. That photo

    of you and your lover, hands

    protecting your shoulders. The book

    of poems you sent me. My final

    glimpse of you, face half-covered

    in a surgical mask, pushing it aside

    between sips of beer. Why have we

    allowed forty years to be trampled

    underfoot? It wasn’t me, 

    or even you. Though I tried to listen,

    my dreams offer nothing,

    and consciousness only brings spite.


    Leah Mueller is the author of ten prose and poetry books. Her work appears or is forthcoming in Rattle, NonBinary Review, Glint, Midway Journal, Citron Review, The Spectacle, Miracle Monocle, Outlook Springs, Atticus Review, Your Impossible Voice, etc. It has also been featured in trees, shop windows in Scotland, poetry subscription boxes, and literary dispensers throughout the world. Her flash piece, “Land of Eternal Thirst” will appear in the 2022 edition of Sonder Press’ “Best Small Fictions” anthology. Visit her website at www.leahmueller.org.

  • in a weakened daze by soledad con carne


    so much of the day

    spent

      rotating

        between

           desk and 

              bed and

    cigarettes

      tears and

        smiles and i

           overslept

              tears, again,

    and rivers run

              over my cheeks

    while streams run

               through my veins

       and ideas

    run and run and run

          all the same,

    and i

       scream,

    i

       smile,

    i spin twirl around,

       sing, dance,

          laugh,

    spin, fall,

              on the ground

    cry, scream,

          laughing,

               on the ground

    cry, hug

          myself

                on the ground,

    and i say, “i love you”

           out loud,

    just to hear the sound,

    “i love you. . .”

    just to

            hear the sound.


    soledad con carne (he/they) is a first-generation Chicanx poet, student, and mixed-media artist. Based at the edge of stolen Tongva and Tataviam land and the heart of The Valley, soledad is known as the poet laureate of the San Fernando Valley, CA. Their work explores themes like alcoholism, Chicanx identity, mental illness, and divine existence through a surrealist and reluctantly optimistic perspective. A common theme in their work revolves around living in the San Fernando Valley because that just happens to be where they’re from. soledad just likes expressing themself through poetry, so catch them at an open mic sometime.

    IG & Twitter @soledadconcarne

  • Poetry by Andre Peltier


    Gaspé Peninsula 

                “Dans les grandes cites, dans les bois, sur les grêves,

                Ton image flottera dans mes rêves,

                            O mon Canada, bien aimé.”

    Louis Honoré Fréchette


    Roadside ovens 

    with warm, crusty baguette. 

    Wine for the adults, 

    grape juice for the children. 

    Open expanse, 

    from Chic-Choc highlands 

    of caribou and Jacques-Cartier, 

    to rolling grasses.

    Over to those steep cliffs 

    before falling to

    The Gulf and Newfoundland, 

    to Cardiff and Cork. 

    Wading to Rocher Percé 

    before the tide came in. 

    Like a beacon, 

    the phantom rock floats 

    on the waves warning 

    freighters of rough waters ahead. 

    We heed the signal, 

    rolling up our jeans 

    before climbing, 

    falling, splashing 

    back to humanity,

    back to the mainland. 

    And the highway hugs 

    the coastline between 

    limestone wall 

    and expansive deep. 

    There, out the window, 

    you could reach and rub  

    the sounding humpbacks. 

    Laughing in the waves, 

    they too splashed back 

    to safety before their 

    great migration 

    to tropical 

    playgrounds.



    Wind Me Up

    There’s a jar in the kitchen 

    holding our keys, 

    old, forgotten ones 

    side by side with the ones 

    we use every day. 

    A key from an old job; 

    it’s been years, 

    but it remains, a totem 

    of remembrance. 

    The key to the liquor cabinet: 

    vodka, rum, gin, vermouth, 

    a couple bottles of Scotch. 

    They gather dust, forgotten 

    but for a holiday party 

    or a family game night. 

    There’s a key to 

    my great-grandmother’s 

    mantel clock. 

    I’ve never wound it; 

    I keep it just in case. 

    Then there is the key 

    that fits the hole in 

    my back. 

    Wind me up

    and watch me waddle. 

    Wind me up, and I go 

    to the supermarket, the deli, 

    Starbucks or Target. 

    Wind me up and I 

    cook and clean,

    cook and clean. 

    As I wind down slowly 

    in the evening, 

    as I wind down after another day 

    of errands and naps, 

    I wonder who will insert 

    that key tomorrow

    and wind me up 

    again.


    Andre F. Peltier (he/him) is a Pushcart Nominee and a Lecturer III at Eastern Michigan University where he teaches literature and writing. He lives in Ypsilanti, MI, with his wife and children. His poetry has recently appeared in various publications like CP Quarterly, Lothlorien Poetry Journal, Provenance Journal, Lavender and Lime Review, About Place, Novus Review, Fiery Scribe, and Fahmidan Journal, and most recently in Menacing Hedge, The Brazos Review, and Idle Ink. His debut chapbook, Poplandia, is forthcoming from Alien Buddha Press in 2022. In his free time, he obsesses over soccer and comic books.

    Twitter: @aandrefpeltier

    Website: www.andrefpeltier.com

res·ur·rec·tion

/ˌrezəˈrekSH(ə)n/

the action or fact of resurrecting or being resurrected

raising from the dead

restoration to life

rising from the dead

return from the dead