CHILD’S POSE
Inhale the distillate of night,
its sock-fuzz, cat dander & dust mites
among the carpet fibers
& exhale the walrus, the whale,
the giraffe & the three pterodactyls
exiting
through the door in your back.
Inhale the spores newly moldered
during this afternoon’s warmth
now re-icing in the needles
beneath the Eastern White Pine
outside the media-room window
in a shaft of moonlight;
exhale the alligator
from the swamp in the Muppet Movie
stalking Dom DeLuise who’s bantering
with Kermit about making millions
of people happy in Hollywood
before exiting
through the door in your back.
Inhale the essence
of your husband’s baking Irish soda bread
& exhale Kermit plunking his banjo,
exhale his song about rainbows,
the rusty Schwinn he rides to the El Sleezo,
that giant pair of cartoon frog’s legs erected on the roadside,
yes, exhale, exhale with your most diligent eight-count
the freshly steamrolled pavement’s glisten
exiting now
through the flung-wide door in the small of your back.
Then, with the final, heavy-lidded inhalation that comes
just after your rump finds that further millimeter of declivity
no one had imagined,
take in affectatious Miss Piggy
winning the county fair beauty contest,
stealing the heart of a certain amphibian
& being flippant in French under a broad, starry, desert sky,
along with everything else that’s trying
to enter
through the door in your back—
INDIGO BUNTING
innermost & most
neophyte-like are these
discords
i still
grieve— & yet this
opalescence dawning
blue—
unbridled wings
nasturtium-blooms &
topaz skies—
is my Indiana
never nigher to
grace
GATEWAY
they keep it a secret
to stop you
but when you find it
you’ll step through…
one taste
in this far-away place of
flourless chocolate cake
of no more bran clusters or
Brussel’s sprouts shoulding you
no more stale crusts demanding
who do you think you are?
now you’ll be forever
enraptured by the devil’s food
in the universe of YOU:
oh yes! all of you!
your sweeps & furrows!
your savors unfurled
to his reverent tongue
his warmth ushering you
quiver by undulant quiver
into the deep-delicious
coalescence that is
The Chocolate Cake
of a woman unbound
marveling how?
how is it that I’m not yet full?
how is it that I’m still alive?
(CENTO) ON THE WAY BACK TO DREAMING
It so happens I am sick of managing
as thin light on water, radiating
green with my eyes, my shoes, my
rage, only the right number of legs,
scowling, holding the world
of dew, forgetting everything meant
to wake you: the flash of a hand,
streak of movement, rustle of pebbles…
The trees tell of the sun and yet
I quail, lean to beginnings, sheath-wet,
feel the small song in my chest swell.
The rain proclaims these trees,
leaves tracks full of warm blood leading
toward the night.
Credits: Pablo Neruda, Linda Gregg, Diane Seuss, Stanley Plumly, Issa Kobayashi, Czeslaw Milosz, Theodore Roethke, Ross Gay

Stephanie L. Harper grew up in Northern California; attended college in Iowa and Germany (BA in English and German from Grinnell College); completed graduate studies and gave birth to her first child in Wisconsin (MA in German literature from University of Wisconsin – Madison); homeschooled and raised her extraordinary son and daughter to adulthood in Oregon; and now lives in Indianapolis, IN — with the world’s most adorable husband and cat, no less — where she completed her MFA in Poetry at Butler University. Her poems appear or are forthcoming in the Red Wheelbarrow Literary Magazine, Neologism Poetry, Whale Road Review, Tipton Poetry Journal, Vox Populi, The Night Heron Barks, Foothill Journal, and elsewhere.
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