• War and Politics by Megan Hann

    The soldier stated on war
    —Die before the start
    It saves food and gasoline
    And torment in peace—
    It’s a fucking haiku from up here
    Bad advice is turning
    Into beautiful poetry
    And I’m starting to see the humour
    In this hopeless situation
    That I’ve found myself within
    I’m on the edge of mind
    And the plunge is screaming
    I need to fly free
    But do you think
    Really think
    That I could actually land
    Smack down
    Straight on my face
    If I did take the leap
    And jumped on my faith?
    The water hits harder than floor
    Or something of that nature
    And I
    Well I’ve just been crossing fingers
    Sometimes I think
    That it’s all just a big ball
    Of shit
    And then other times I think
    That I should purge
    Take my own shit
    On the world
    It doesn’t Matter
    If I don’t care
    It hurt – until I laughed
    Sometimes I find

    I just wander around like I’m daft
    Aimlessly looking for an excuse
    And you know, they are easy to find
    Or make-believe if you can try
    Hard enough
    Fuck! I’ve stubbed my toe love
    I’m really sorry, I tried
    Please pass me the blow
    And load up the slug
    If we count drugs
    I have died
    Every day of my life
    To no prevail
    Just to wake back up
    And repeat the proces

    —sooooo—
    I’ll never be clean
    But I’ll get it right
    Next time
    I promise
    Sometimes I think that I have snapped
    But then I remember
    That It hurts me still
    Way too fucking bad
    To actually be crazy
    Psychopathy
    The brains determination
    To thrive amongst this carnage
    An evolution of sorts
    While the rest of us
    Are left ejaculating
    From our nooses
    Trying to catch
    One last sensation
    Of something beautiful
    When all there really is
    Is pain
    Without retribution

    Woe is me
    And you
    And him
    And her
    And them
    Maybe the world just needs to die
    Or
    Maybe I should take note
    And try harder to kill the mind



    Megan is a 28 year-old Canadian currently residing in England. When she is not battling with her addictions she can be found writing poetry, dancing in the dark or plotting revenge against herself for all those wasted years. She is working on her first album, learning how to play guitar and mastering the art of self-deprecation, like the total Aquarius that she is. Want to know more? Her horoscope says the rest. 
     
  • after/life lore by Nadia Gerassimenko

    another chance / to have it / all / (&) right / we the molecules / coast / free / of bodies broken / & breaking / away / above / in the ether / we eat cotton clouds / for breakfast / for lunch & dinner / we consume / & consummate / poetry / at night / on our dresses / with six-tailed tresses / we don / glistening stars / becoming / flashing lights / & when the clouds swell / of nebulous nectar / we make rainbows / out of rain / numinous  



    Nadia Gerassimenko is the Founder and Editor-in-Chief of Moonchild Magazine, a dreamy, experiential online publication and friendly, inclusive community of moonchildren, former Managing Editor at Luna Luna Magazine, freelancer in editorial services, writer, poet, and visual artist.

  • The Contortionist and the Strong Man by Emilia Joan Hamra

    On tiptoe I

    extend my fingers

    toward the dark mouths

    of stage’s end, their

    glittering rows of hot teeth.

    On whose shoulders

    do I live?

    My toes grip,

    my calves bulge

    like nervous eyes.

    I can trust him

    with my neck.

    He is the strong man,

    these are the shoulders

    I tried to push away

    when last night he

    went drunk into

    my caravan and found

    me sprawled in

    green velvet and moon rays.

    Now I rise

    by his hand,

    my waist supported.

    I arch my back—

    back, back.

    My throat meets

    my bare feet, and

    my smile meets his.

    Last night’s injury

    flutters inside my

    belly like a bottled moth

    with dust-draped wings.

    It will die there.

    The strong man lowers me,

    legs split, to the floor.

    I beam.


    Emilia Joan Hamra lives in Philadelphia where she founded and edits The Shoutflower, a print journal of art and literature. She studied Creative Writing at Arizona State University, has worked as a copy-editor for Four Way Books, and was the recipient of the national Norman Mailer College Poetry Award. Her work is published or forthcoming in Occulum, giallo lit, Santa Ana River Review, the tiny, and others. You can find her on Instagram @shetalkstobees

  • Poetry by Mela Blust

    distance

    the sun shakes itself loose from the plaster of clouds,

    still awakening from the sigh of last night’s cold

    you stoke the fire with your bruised tongue 

    your hands all over my thighs

    your eyes, everywhere but

    you invent new languages in things left unsaid 

    quiescence falls between us

    an alarming tranquility that you nestle into

    and inside of which i feel lost. 

    you tell me that i’m getting farther away

    right before you push me.


    faith

    i lay my head down on your chest

    listening to the powerful thudding 

    of your heart

    and although you passed your last physical 

    with flying colors

    to suddenly think that the fist sized organ i’m hearing

    is responsible for the livelihood

    of every inch

    of the person i love most

    is too fragile

    to believe.


    Mela Blust is an award nominated poet, as well as an artist. Her work has appeared in The Bitter Oleander, Rust+Moth, The Nassau Review, The Sierra Nevada Review, Collective Unrest, and many more. Her debut poetry collection, Skeleton Parade, is available with Apep Publications, and her new full-length is available with Vegetarian Alcoholic Press. She is a contributing editor for Barren Magazine, and you can find more of her work at www.melablust.com
  • On the Road to Grassy Meadows with Philip Glass by Ron Tobey

    West Virginia natives drive the 2nd class state highways hellbent
    twisted curled asphalt counter-graded blind curves
    serpentine treachery downhill
    out of forested mountains into valley sinks 
    kamikaze deer lurk at dawn at dusk invisible
    our stretch of Smoot-Dawson is death alley
    three persons killed in two years ramming trees 
    and fences on curves at 50 mph
    and a deer totals my farm helper’s car
    on the turn by Meadow River wetlands 
    a high school senior
    grew up working pa pa’s farm 
    for her ever back pains and migraines 

    wary of logging trucks hauling tottering loads
    rushing to nearby lumber mills or to the I64
    mile mark 150 on-ramp East
    for a 70mph run to Covington
    unable to stop if coming suddenly upon a slow pickup
    or Dawson Road God Forbid my farm tractor doing 13 mph

    I listen to Philip Glass’s songs “The Hours” and “The Kiss”
    for the first time a chance download 
    channeled from the iPhone through Tacoma radio stereo speakers
    drive split-eyed
    one eye checks rear view mirrors one peers forward
    mesmerized by melody
    I erupt into weeping
    heaving sobs explode out of my mouth
    psyche bottled up breaks through a dam
    a vehicle speeds up behind
    I pull over to stop
    at a wide spot in the road
    to compose myself

    ancient Egyptians define the religious emotion
    imagine how hieroglyphs could say this
    homesickness for God

    suffocated on phenobarbital
    suppressed by Dilantin
    hear not I in the choir
    the rhythm or beat of holy words
    nor sing I on key
    diminished fire diminished light 
    of longing to be
    in between dies irae and the doxology

    in Winter a small Episcopal church beside a factory
    Jefferson’s craftsman stone chapel Summers open 
    their small organs untuned
    sparse congregations few sing
    nor rafters ring
    Glass’s fingers hunt melodious piano lines,
    thump clumsily, critics say
    but this day
    Orphée invents music descends into my lost mind
    surfaces victorious in the Tacoma cab
    my legs shake 
    hands shake
    in the driver’s seat
    born



    Ron Tobey grew up in north New Hampshire, USA, and attended the University of New Hampshire, Durham. He has lived in Ithaca NY, Pittsburgh PA, Riverside CA, Berkeley CA, and London UK. After professional careers in Southern California, he and his wife moved to West Virginia, where they raise cattle and keep goats and horses. He is an imagist poet, writing haiku, storytelling poems, spokenpoetry, and producing videopoetry. His work has appeared in Constellate (UK), Prometheus DreamingFishbowl Press Poetry, Line Rider Press, Bonnie’s Crew (UK), Broadkill Review, and The Cabinet of Heed (UK). Video poems, “Days Rise” and “Open Your Eye” are forthcoming in The Light Ekphrastic (November 2020).

  • Poetry by James Diaz

    My life as a fallen star

    Maybe it was the way the light worked its way into everything when you were too young to work out the dark from the not-so-dark. The way even your father’s pain glowed some nights. A tree could only take you so far up, and it always hurt on the way down. You couldn’t know the terrible thing until it happened, till it became your life. You were hungry, then, in that way children have of always being hungry, but worse, there really was nothing to eat. In between the spirit and your ribcage, southern stars were dying out, one by one. You thought ‘this must be it, the whole goddamn story’. Cornfield, tobacco barn, poverty, pain. Pain. It wasn’t all you felt, but it was there beneath everything else you felt. One day the light wasn’t there. The field was dark, your father was dark, your mother was a felled tree on the moon. Kid, listen, cause this part is important; you didn’t have a choice. You couldn’t get what you needed here, and so you did the terrible thing. A gun, crossing the highway, waiting till there were no more cars parked in front of the convenient store, it was all a blur. One minute you were there, the next, you were gone. Two years gone. Strange mercy, this. Now you were well cared for, behind walls you couldn’t get to the other side of. You could trust this. It was real. When they held you to the floor and stuck the needle in, you said “thank you”. Thank you. The light was gone for a long time. You don’t know how long. Long enough. Then you’d notice little things, like how your heart was growing larger, not smaller. How none of it had turned you mean. How it smoothed you over and opened you up. You couldn’t know this then, kid, but it all had to happen. To get to here you had to go to there. The sharpest edge of it all, and I know, you almost didn’t return to us. But that’s the thing about life, it’s only when you’ve gone too far that you can come back. The things that change you hurt the most. And then they become bigger than everything else that has ever happened to you. It happened. To you. That’s the way the light works itself into everything eventually. Your father doesn’t glow now, and your mother is still shipwrecked on the moon. But you glow a little bit now, on the inside, and you call this Earth your home. The thing is; you can’t write better endings for the people that you love. Because this, this has always been your story. 


    The Story Doesn’t Change, You Do

    and it happens like most things happen

    while you’re busy with something else 

    the way it shifts its weight to another foot

    so you don’t go numb

    like how my mother threatens us all with her death

    yet again

    and I know I never could save her

    not as a child, not as an adult

    and so I surrender her 

    to the pile in the backyard 

    to the moon raking over the water 

    to the dim light of my father 

    and the death rattle of the pipe in my brother’s mouth

    I am North,

    they are South 

    the story stays the same

    only we’re a little different 

    we were always bound to lose them 

    one way or another 

    you can’t make anyone want anything 

    and that’s just a fact

    like the fat on the bone 

    we’re not hardwired 

    we’re just 

    a little hard 

    to reach 

    sometimes.


    Henry and Margaret (Ode to Autumn)

    “Henry, do you love me?”

    “What’s not to love, dear?”

    he’s burning leaves

    humming into things 

    heavenly;

    what you lose track of

    the sum total of light 

    in the backyard

    twisting in the wind

    like pure church in a glass 

    everything beautiful deferred for so long

    now here it is

    it’s funny how seamlessly seasons change

    makes you thirsty for it 

    “Henry, do you remember when we first met?

    You said that I reminded you of the moon.”

    “I remember dear.”

    The air chilly 

    and gathering dark  

    there is some kind of forever here

    though you cannot see it when you’re standing in it

    love is a wild moon tonight 

    smell of dirt and driftwind 

    and it is all right here 

    and now.


    Prayer, Friends

    There’s a moment

    Just before you’ve finished gathering the days ends together 

    When the sun says;

    ‘I am going down now’

    And you think; yeah, me too

    And later that night 

    Which night?

    All the nights my dear

    The sound of laughter carries itself louder than pain

    Down the hall

    Not always 

    I know

    But tonight 

    For the purpose of a poem 

    A prayer

    Why not 

    This laughter located just beneath everything that went wrong today 

    I hope you know that I will still love you tomorrow 

    All the morrows 

    And the march of tides 

    As they winter the road with slippery conditions 

    If ever you doubted a friend was as good as a prayer 

    Listen

    Let the laughter

    Play itself out

    It’s not always

    As bad

    As we need it to be. 


    James Diaz is the author of This Someone I Call Stranger (Indolent Books, 2018) as well as the founding editor of Anti-Heroin Chic. Their poems have appeared in Yes, Poetry, Gone Lawn, The Collidescope and Thimble Literary Magazine. They live by the simple but true motto that “feelings matter,” every shape and size of feeling. They believe that every small act of kindness makes an often unseen but significant difference in someone’s life and hope that their poems are a small piece of that.

  • We Sing by Angelo Colavita



    Angelo Colavita lives and writes in Philadelphia, where he serves as Founding Editor of Empty Set Press and Associate Editor at Occulum Journal. He is the author of two chapbooks of poetry, Flowersonnets (2018) and Heroines (2017), as well as a full-length epic poem, Nazareth (forthcoming, Apep Publications). His work has appeared in The Shoutflower, Wildness Journal, Bowery Gothic, Madcap Review, Luna Luna Magaine, Yes Poetry, and elsewhere online and in print. For more info, visit angelocolavita.com or follow him on Twitter @angeloremipsum and Instagram @angelocolavita  

  • A Psalm for Red Lands (Excerpt) by Keven Guynn

    Intro

    Within you 

    lies

    a divine message. 

    A cryptic psalm.

    Would you recoil 

    if you heard

    your 

    omniscient song? 

    Would you question your sanity?

    Would you deny the source? 

    Would you remain silent? 

    Better yet, 

    what if

    your purpose

    is to decipher

    that prescient hymn?  

    I’m not trying to convince you of anything.

    Seriously, 

    all poetry aside,

    I’m asking you 

    to question

    yourself.

    If you could imagine 

    the solution,

    would you 

    courageously 

    amend our world 

    by overcoming 

    your fears? 

    Lorraine’s Psalm

    By examining six degrees of passion, 

    as if they were rifts 

    formed

    on wintry roads, 

    her mental cycle 

    repaired the lining 

    preserving her sentient abode. 

    The steps are no secret, 

    but I’ll repeat them again. 

    Despite the hindrance 

    of dementia, 

    this time, 

    synapses

    deserve a mend. 

    Six steps so simple 

    that we all

    should agree,

    but again, 

    I will voice them 

    numerically.

    When you are frightened 

    ask yourself why. 

    Then hold your breath

                and scry for lies.

    Not too long

    but enough to see deeper. 

    Where opportunities lie 

    next to curiosity’s keeper. 

    There 

    you will find courage 

    to convert fear into knowledge. 

    If you survive this inquisition 

    it leads to sibylline college. 

    Bask in the glow 

    with your radiant skin. 

    As fear, 

    catalyzed

    into curiosity, 

    releases

    endorphins within. 

    Learned anew, 

    abandon

    the community of malice. 

    Then saunter 

    full of wisdom 

    emerged

    from fractals

    of solace.

    With time,

    you will find society 

    elevated by soul,

    where traditions of the past 

    seem frivolous.

    Dare I say,

    old. 


    This is an excerpt from the short story, A Psalm for Red Lands.

    Keven Guynn is an eternal omnist, writer and gentleman.

    Instagram @apatitemedia

  • Yacht Rock by Chris McCreary

    Resplendent, spear gored, 

    the wedding guest would still be shouting if he hadn’t 

    come within that single fathom.

    Over you go, 

    the both of you, into the photo 

    on the guidebook’s dust jacket flap.

    The volcano has either already erupted or is just about to, 

    smoke stacks poking anachronistically through the power grid.

    Somebody ought to tan your hide, he’d said, so you sunned

    in your endocrine until the warm jets thrust up 

    through the ice caps.  

    Next thing you know,

    you’ve got to bail out an ocean w/ a copper kettle

    or find higher ground

    in the otherwise vacant lot where a man 

    wants to show you his underground helium tank.

    There’ll be black balloons for your panic room 

    if you’ll toss the bathwater on the other side 

    of the tracks & leave the baby

    to gnaw the wallpaper.           You scratch each other’s backs 

    even though you haven’t been waxed 

    since well before the quarantine. The last time 

    this happened,

    you gave up once the pit bull 

    mauled your finger. 

    There’s an ellipsis where the fire road should’ve been,

    a bus stop on top of the mountain & then an avulsion 

    soaked in salt. 

    Chris McCreary lives in Philadelphia. He is the author of five full-length poetry collections and the chapbook Maris McLamoureary’s Dictionnaire Infernal, a collection of poems about demons co-authored w/ Mark Lamoureux. You can find Chris on Instragram @chrisixnay.

  • Poetry by Jon Terranova

    Ben

    So it was me and you. In the bath tub. Downstairs with Star Trek VHS. Us with Enid Blyton books lined up. Us skidding down church centre halls on our knees. Us playing footy on the village green and booting it into the graveyard. The one where you now reside. Us cross streaming in the bog. Us cracking up over Uncle Barry’s elongated stories round the dining table. Us on Fleetwood promenade. Us on the Nintendo 64. Us under grandpa and grandmas dining table. Us on the bus, me in front of you both listening to deftones. Us in the canteen pretending we didn’t know one another. Us on the bus home and walking over the cobblestone path at Ditton Place. Us in our bedrooms reading the same books but not talking. Us walking to the bus stop, me a tad behind you. Us at different universities. Studying the same prose. Us drinking together the first time and collapsing the nuclear family. Us falling over car bonnets. Us drinking in a gay bar and fighting cos I’m an extrovert and you’re an introvert. Us in the lounge after you quit uni. Us us us. Us talking but not really talking. Us in Cornwall when I heard through the door mum was leaving Dad. Us in that room. Us crying. You not drinking, me drinking, you not crying, me crying. Us back home. Us drinking. Us breaking apart. Us in rehab. Us not in rehab. Us always in rehab. Us us us. Us emailing. Us texting. Us clicking again. Us laughing. Us squealing. Us connecting. Us phoning. Us connecting. Us reading the same books. Us talking about them. You dying. Me crying. Me burying you. Me begging God to lift you up like Lazarus.

    The End


    Horizon

    Peeling back the fruit of sky 

    I rise again in glory 

    Dawn cracking vermillion breath 

    Holy Spirit descend upon me

    Inspire, transcend, glorify 

    Radiate my soul before I expire 

    May the pavement mirror 

    All the sights I’ve been fortunate 

    enough to see. Force my torso upward

    and witness your promise.

    Sustenance: eternity.


    Nothing New From Inside My Cell.

    Each day has its blessings

    and its woes

    Which is why in times

    like these we count 

    the blessings more

    We look back and act

    like we were happier then

    But in truth were prisoners

    of the multiple outcomes

    we’d wish would dissolve

    into simplicity.

    We can’t chose to opt out 

    of free will.

    And home doesn’t exist here;

    No place to lay your head without

    an act of faith to keep you beating

    the same dull drum

    there’s nothing

     new under the sun. 


    Jon a writer from Maidstone in Kent. His first book Longing For More was published by Wordsmithery in 2018. The Death of Marlon Brando chapbook was published by Analog Submission in 2019.

    He is inspired by the writings of Fante and Bukowski. Regardless, he thinks the Russians are by far the best. He was named as a top 8 poet to look out for from gigwise.com. He thinks he was born in the wrong country. 

res·ur·rec·tion

/ˌrezəˈrekSH(ə)n/

the action or fact of resurrecting or being resurrected

raising from the dead

restoration to life

rising from the dead

return from the dead