Common Redpolls
I didn’t know I’d seen them
for weeks before I found them
conducting a census for science
with binoculars hanging around
among the die-hard regulars:
two common redpolls
then day after day I’d count
those uncommonly singular two
until there came a third
one day I counted ten
soon estimated dozens
for statistical purposes
Those first two would be heroes
among the commoner redpolls
if any knew which they were
if they know themselves
and haven’t forgotten the time
they were pioneers
though for all they knew
maybe last survivors
who found this place with seeds
and seeds and seeds again
so you could stay forever
you’d reasonably believe
if you hadn’t been through it before
and learned not to think
this is the place
that never changes
I kept my studied distance
not to lose those two
but now when the flock takes off
as if it shared a mind
that minded my approach
the odd one stays distracted
from me and not by me
and if what it attends to
draws it close enough
sometimes I can see past
the pointy yellow beak
that marks it of its kind
to its mouth’s meaty hinges
and my hand feels fleshy echoes
the ticky tack of toes
the ghosts of feathery breath
I’ve held before
and I see it in the way
I’ve been surprised to see
become incarnate
in cardboard final nests
each crashed and broken bird
patient of helpless care
not under observation
beheld as it lives
a moment more
and a moment more
Rabbit—Highway—Midnight
He was in the middle
of a frantic pirouette
spinning scissor spotlights
cut away the night
saw himself surrounded
lost but not surrendered
usually I wonder
(maybe you do too)
why do they always wait
until you’re almost there
as if you’d hit a trap
set up for you to spring
this time it hit me
(you might wonder why)
he panicked in the light
and this alone he knew:
because there was still time
because it was still there
it couldn’t be too late
he hadn’t gone too far
he knew the way by heart
he knew it in his bones
he knew he would be safe
he knew he’d go to sleep
after he’d stopped shaking
wake up having almost
totally forgotten
how he’d been so careless
drifted without thinking
line by line by line
and let it come to this
one thing he knew alone:
he had to go straight home
Survivors
We are all
survivors
from the wreck
of a ship
we don’t know
we were on
and the wreck
of the ship
we don’t know
we’re on now
we may also
survive
On Letting Things Go
Forget it, there isn’t any
stopping it—once the leaves are
yellow they won’t be coming
back anymore—so listen,
why don’t you let it go, look
forward to spring, think how
the tulips will bloom—
and so I
look at a dried-up stalk and
split-open seed pod that I’d
secretly sheltered and I
wonder like always will it
get to re-seed itself, do
tulips re-seed themselves like
daffodils do if no one
chops off their heads because they’re
done and they’re dead and so they
have to make way? I want to
bring them all back or stop them
slipping away at least and
nothing will quite convince me
nothing will work—I give them
water but they’re already
wet or try fertilizer
but it’s too cold for that to
do any good. If I’d give
up on them then I guess I
wouldn’t be sad about it—
that’s what they say. It makes me
wonder how many things they’ve
given up on themselves so
they can get through each passing
day without crying. Though they’re
already gone who’d let them
go without trying? And it’s
true that there’s nothing you can
humanly do—but that
includes the one thing they’re always
telling you to: you can’t let
go, don’t let go, hang on and
hold them and hold them here, I’m
holding them here, right here, here
What Loss
What loss—
failed and fading flower flung
across the casket counting crazy
one: two: five: two: three: two:
to waste away a way the way from
one to two to three to two to
here hear or listen listing
lost and founder frail and ailing
bowed and bending back break
apart a part played out laid out and
waiting weighing heavy hand on
heart beaten broken stopped: shock:
restart start over start again
start: over: over: over: stop—
what loss

Matthew King used to teach philosophy at York University in Toronto. He now lives in what Al Purdy called “the country north of Belleville”, where he tries to grow things, counts birds, takes pictures of flowers with bugs on them, and walks a rope bridge between the neighbouring mountaintops of philosophy and poetry.