jumieges is a painting upon a painting / scraped out and replaced / bayeux tapestry on ghost / girl awkward / dead king & yellow god all red spun on garbage wood
JW Summerisle lives in the English East Midlands. Their poetry & artwork can be found in Catatonic Daughters, The Madrigal, SAND, & Re-Side. They may sometimes be found on twitter @jw_Summerisle
In these mixed media pieces that combine my love of painting and construction, I aimed to go beyond my signature painterly strokes and meld together the world of painting and 3D elements of collage. These are my latest works of art, made around mid July 2021. In these works, I challenged myself to enter the world of collage while staying true to my identity as a painter and allowing the painting to peek through the collage construction. I found the juxtaposition of the gestural architectural gray-scale paintings mixed together with the smooth surface of the collage to be satisfying to my sense of aesthetics. Moreover, in these pieces, I aimed to be explorative while pushing the envelope of the mediums along with the subject matter. I intended for the artwork to intrigue in multiple ways, be it the combination of mediums along with the play on themes and how they intersect and come along together. As a whole, these mixed media paintings’ collages are allowing the viewer to enter my world which doesn’t only consist of me as a painter, but as a designer, a thinker – an innovative visionary. Like all of my work, the art mirrors the person that I am, and features my current interest and what circulates in my head and world. Thus, the artwork presented is a reflection of my contemplation and ponderment on the theme while allowing my imagination to run free and play in the art field.
Artist: Vian Borchert Title: Fallen Light Medium: Mixed media / collage Year: 2021Artist: Vian Borchert Title: Up There Medium: Mixed media / collage Year: 2021Artist: Vian Borchert Title: Urban Jungle Medium: Mixed media / collage Year: 2021Artist: Vian Borchert Title: Outside Inside Medium: Mixed media / collage Year: 2021
Vian Borchert is an award-winning contemporary expressionist artist. V. Borchert has exhibited in many group and solo exhibitions within the USA and internationally. Vian is a graduate and “Notable Alumni” from the Corcoran College of Art and Design George Washington University, Washington, DC. Vian considers her expressionistic and abstracted art as visual poems. Vian Borchert’s art has been on exhibit in prestigious places such as the United Nations General Assembly’s Public Lobby Gallery, NYC, and in “Art Basel Miami Beach” Spectrum Miami, 1stdibs Design Center in Chelsea, NYC and the LA Art Show. V. Borchert exhibits in major world cities such as NYC, LA, DC, Berlin, Rome, London and others.
V. Borchert’s art has been featured in numerous press such as The Washington Post, ARTPIL, Art Reveal magazine, Vie magazine, 300 magazine, Happen Art, Al-Tiba9 International Art magazine, The Miami Art Scene, DC Modern Luxury magazine and others.
Vian Borchert is also an art educator teaching fine art classes in the Washington DC metropolitan area.
cliffs, deserted wellshaft crumbling in — stormdark clouds.
Visions come; I recline
in half sleep, a lemon sargassoed in the blood-warm sea.
Like a busted hull the skull floods again and shades thrash
across my eyelids, fly for somewhere, maybe
land. I decline to sink, or follow them. It’s not yet time to weigh
this grin.
The Bird Poem
It’s not that they descend
From tiny dinosaurs.
And it’s not that they
Can sing and swing and squawk.
These goddamn things can fly!
Benjamin Goodney’s work has appeared in The McNeese Review, Hotel Amerika, Best New Poets, Seneca Review, Guernica, and elsewhere. He co-founded and manages the literary magazine Storm Cellar. He took two degrees in philosophy out of Illinois and resides along the Minneapolis–Orlando corridor.
Mundane Things That Immediately Make Me Think of a Specific Dead Person
washing my hair over the edge of the bath • orange squash • doing the crossword • unscrewing / emptying / refilling a hot water bottle • stripping the bed & putting on fresh covers • rope • inspecting my scalp for grey hairs • snow • poaching eggs • denim shirts • the price of bread • bluebells • badly parked cars • the shortest day of the year • aching knees • Sultans of Swing • exclaiming “Christ!” • using my Nectar card • leaving the dishes to soak overnight • Magaluf • the longest day of the year • aching knees • improvised bookmarks • peeling potatoes • Batman • samurai swords • muttering “Christ” under my breath • the BBC lunchtime news • paper shredders
Your Name in Flames
I blow you out / extinguished flame / you always smell / the same as a candle that / has just / been snuffed / as that tiny trail of most / delicious smoke / that dances from the blackened wick / the one that I / can never catch as it disappears too quick. I am the spent / match, used and then discarded / I crumble at your touch and your patience / with me / vanishes / as it so often does. You are the charred remains with which / I paint / a smile onto my skin / for my sins / for yours: we share a love we both abhor / and practice makes these wanton sparks so easy to ignore. But when I am gone you will taste my pretty ashes on your tired tongue / and curse yourself for failing to start fires when you had the chance / and so the smoke / will never dance / again.
HLR (she/her) writes poetry and short prose about living with chronic mental illness, trauma, and grief. Her work has been published by or is forthcoming with Misery Tourism, SCAB Magazine, Sledgehammer Lit, and Emerge Literary Journal. She is the author of prosetry collection History of Present Complaint (Close to the Bone) and micro-chap Portrait of the Poet as a Hot Mess (Ghost City Press). HLR lives in north London where she was born and raised. Twitter: @HLRwriter / www.treacleheart.com
unimagined / the invisible writer / freshly minted
eats everything
UK based neurodivergent writer Jane Ayres completed a Creative Writing MA at the University of Kent in 2019 at the age of 57. She loves experimental hybrid writing and her first collection edible will be published by Beir Bua Press in July 2022. Her micro-chapbook my lost womb still sings to me is published by Porkbelly Press in 2022/23
Our eyes follow the winter birds like escape-stalkers
but their flight away from us says nothing and the darkness is always
just there, yea though we strain through it for that one
undark and beautiful word, a light-feed at the dry breast of time,
but never you mind. It’s never been about what you find
here, to sustain you. It’s always the other way around. We,
are found.
We Don’t Last, But The feeling Does
and it goes like this
as a river wrapped round
its only course
ask not why the light
has never found you
just push at the dark
like a root sensing water
and from below
you know
it goes like this
our loved ones die out like stars
but still they are hanging there in the sky
like Orion’s stitch work of time
and if not for loss,
something else
have you asked your body
where it goes
while you sleep
dream, gentle weep
have you
come here to collect
your greatest hopes
and feed them to your fears
I am telling you
we are always dancing on the edge
of everything that can’t be
stilled, gutted, explained,
or remain
but that for a while,
oh my god—
we were here
and we were burning with it:
this light
In a world so often low on kindness, James Diaz is just trying to refill that tank. Poetry is that imperfect medium. Author of two full length poetry collections, This Someone I Call Stranger (Indolent Books, 2018) and All Things Beautiful Are Bent (Alien Buddha, 2021), Diaz resides in New York, still trying to very much figure things out.
God of babies born with Jaundice and kept their first days in a box with blue light.
God of nauseous newborns still reeling from previous incarnations, who lift their heads too early and make the nurse cross herself and slam the door behind her.
Spleen God
Picking at your scalp God
God of mean eyed children who hold garbage tightly in grubby fists, who cry when adults finally pry their hands open over trash cans, who whisper goodbye to tarnished candy wrappers.
God of sour faced little girls who scream instead of wave goodbye -who don’t know the words to ask them not to go, and are called creature.
Pinching God
God of things that stare out of spite,
My own god,
send me that dream again.
That dream of a windmill in the mountains
with the ship in the waterway,
cold in summer, someone’s hand on my shoulder.
Send me that dream where my bile was balanced and
despite my nature,
It was sweet.
Waiting for Wormwood
At this point in this life I no longer care to achieve anything- I smother ambition with the weight of almost 8 billion lives-
I’m in a place where I don’t really have to try and survive -the call of the parasite- why would I create something ? When it seems eating this host to hollowness is programmed into my hands and my mouth ?
But it was prophesied that one day a medicinal star will come and
cleanse me
from the face of everything
And the body I’ve been sucking dry will be finally healthy and
Flowers will bloom in my absence
Lives in Minnesota where she explores the woods, the rivers, and dream incubation.
Monique Quintana is from Fresno, CA, and the author of Cenote City (Clash Books, 2019) and the chapbook My Favorite Sancho and Other Fairy Tales (Sword and Kettle Press, 2021). Her work has appeared in Pank, Wildness, Winter Tangerine, Cheap Pop, Okay Donkey, and other publications. You can find her book reviews and artist interviews at Luna Luna Magazine, where she is a contributing editor. She was the inaugural winner of Amplify’s Writer of Color Fellowship, and she has been nominated for Best of the Net, Best Microfiction, and the Pushcart. Her writing has been supported by Yaddo, The Mineral School, the Sundress Academy of the Arts, the Community of Writers, and the Open Mouth Poetry Retreat. She teaches English at Fresno City College. You can find her on Instagram at @quintanadarkling andmoniquequintana.com.
In my compositions, I gravitate towards eerie and slightly off-kilter moments. And in this set, tendrils of loneliness extend from the single street violinist to the flower poking out of bars. I see black and white photography as inherently ghoulish, and so I decided to use subjects that matched that tension.
Maxwell Suzuki is a Japanese American writer and artist who has recently graduated from USC. He is currently writing a novel on the generational disconnect of Japanese American immigrants and their children. Some of his other work can be found at Young Ravens Literary Review and www.lindenandbuckskin.com.
res·ur·rec·tion
/ˌrezəˈrekSH(ə)n/
the action or fact of resurrecting or being resurrected